Murray was commenting after IABM selected Telestream’s new GLIM Media Player as recipient of its prestigious BaM Award® at last week’s BaM Live!™ event. This will largely influence whether they thrive or survive in the new media landscape,” so said Scott Murray, SVP Marketing at Telestream. Both customers and tech vendors must recognise and respect these fundamental changes in working practices and be agile in their response. Covid will have a very long term – perhaps even permanent - impact on the way our industry works. Nevada City, California, December 10th, 2020 – “While we are tremendously proud that IABM has honoured Telestream® with its BaM Award® for our new GLIM Media Player, it highlights a big issue facing the media industry today. Telestream underscores importance of development agility with IABM BaM Award success for GLIM Media Player They just want to know 'will it fulfil this requirement?', it’s up to us to prove that our technologies will fit the use case.” With the focus already shifting to remote production before the pandemic find out how Willem Vermost, Senior IP Media Technology Architect, EBU (now Design and Engineering Manager, VRT), Marc Risby, CTO, Boxer Group, Will Waters, Head of Global Product Management, VizRT along with Moderator Russell Trafford-Jones, Exec Member, IET Media Manager, Support & Services and Techex and Editor, The Broadcast Knowledge saw the future of SMPTE 2110 and NDI in 2019. “I have people coming to me saying how do I make this production cheaper, how do I make this a remote production where I can switch it back at base rather than send a truck? That’s what they want to talk about, how do I do that? They don’t say how do I do that using 2110-20, or how do I do that using NDI - they don’t actually care. ![]() “We keep over concentrating on the infrastructure and the technology and our customers actually care about the application.” comments Marc Risby, CTO of Boxer Systems. The new 4K camcorder offers Apple ProRes 4444 (up to 30p) and ProRes 422 HQ (up to 60p) support.The IET panel discussion “Where can SMPTE 21220 and NDI co-exist?” from the IABM Future Trends Theatre at IBC 2019 feels more relevant than ever as we enter a new period of lockdown. The VariCam LT records in multiple formats ranging from 4K, UHD, 2K and HD, and like the VariCam 35, is fully capable of High Dynamic Range (HDR) field capture. It also delivers 14-plus stops of dynamic range with V-Log, and the dual native ISOs of 800/5000. VariCam LT inherits the same super 35mm sensor and superb imaging capabilities as the VariCam 35, but with significant reductions in size, weight and price. And, VariCam LT boasts an incredible array of shooting options that mirror many of its big brothers. The LT is very nicely balanced with an old-style handheld feel, but with the wallop of VariCam technology. Weighing in at a very respectable and manageable 5.95 pounds, without a lens, the LT was a delight to get up on my shoulder. But the original VariCam is pretty big and not all that portable. Anybody who has shot on the original Panasonic VariCam has loved every minute of its blow-you-away, beautiful images, crazy-mad resolution and stunning cinematic imagery. Panasonic’s (VariCam LT (model AU-V35LT1G) is a great and solid addition to the VariCam family. Simply the most revolutionary product I have ever seen at NAB.” This new camera could very well be the game changer of NAB 2016. One post pro in attendance said, “The Lytro Light Field Camera blew my mind. The camera has up to 16 stops of dynamic range and wide color gamut, and has one of the highest resolution video sensors ever designed. Every pixel has color, directional and depth properties, bringing the control and creative flexibility of computer-generated VFX to the real world. With the Lytro Cinema camera, every frame of a live action scene becomes a 3D model. Data - not images - recording 755 raw megapixels at up to 300fps. Making our way through, we learned that the Lytro records data. Demonstrated before an absolutely jam-packed crowd, it was hard to even get into a session. ![]() The implications could be huge for post production. This non-traditional camera, which doesn’t record images traditionally, is so revolutionary it’s almost impossible to describe. Without a doubt, the star of the camera universe at NAB 2016 was the Lytro (Light Field Camera.
0 Comments
Leave a Reply. |